The title refers to "collateral damage"—the unintended victims of Vincent’s professional hits. However, the true "subtitle" of the film's narrative is the .
: Throughout the night, Max moves from a passive dreamer to a man of action, proving that one individual's life "means something" even in a city of millions. Visual "Collateral" and Film Structure subtitle Collateral
: For Max, the problem is his own stagnation. Visual "Collateral" and Film Structure : For Max,
Should I focus more on the between Max and Vincent? In , the visual "collateral"—the fleeting shots of
The term "collateral" in publishing often refers to explanatory lines on a cover that aren't strictly part of the title. In , the visual "collateral"—the fleeting shots of coyotes crossing the street or the flickering fluorescent lights of the metro—tells a story that the dialogue does not.
: Shot largely on high-definition digital cameras—a rarity in 2004—the film captures the specific "digital glow" of the LA night.